Celebrating my favorite color in limited edition goodness. “..exterior like fish eggs..” – Pharrell

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Continuing from Wu-Tang Design Remix Project pt. 1 comes the anticipated sequel to the Blue Note inspired album covers. Designer Logan Walters continues to remix the rest of the Wu-Tang albums in jazz fashion.
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Rodriguez DJ Tables ($3,000-$3,900). Made from solid wood, brushed stainless steel, and hand-applied veneer, each table is customizable with as many pedestals and spaces as you need, all featuring circular shapes that pay homage to all that vinyl you’ve accumulated.

from uncrate

Mimicking an aerosol can, Paris-based designer Aïssa Logerot’s Halo uses an LED light in place of a nozzle and gets its power from the same shaking action that mixes the paint.

The interchangeable LED bulbs allow different colors and brightness depending on the occasion.

via cool hunting

 
 
Designer Logan Walters was one day bored of his Wu-Tang albums and decided to redesign all 21 releases in Blue Note fashion. Here are the first 7:
 
 



 
 
 
 
And here is how it looks in iTunes:
 
 

 
 
Keep an eye out for the rest of the series on Logan’s Flickr.

Very nice Flash MPC-style of Dante Ross’ website. Sample Triggers: 1234/QWER/ASDF/ZXCV.

From emimusicpub.com

“In the mid eighties, the progressive Dante began working for the Beastie Boys’ managers, Russell Simmons and Lyor Cohen, at their thriving management company, Rush Management. After seeing Dante in action, Simmons and Cohen opened the doors to him to become the tour manager for the illustrious Def Jam and Dope Jam tours circa 1986-1987.

In 1989, Dante joined Tommy Boy Records as an A&R rep. He promptly signed De La Soul, Queen Latifah and Digital Underground. Through working with these artists and being taught to freak a SP1200, Dante discovered that he too was capable of creating beats. He began producing several records, including the platinum hit, “Pop Goes The Weasel” for the group, Third Bass, which he founded. Dante’s efforts to make a mark in the music industry didn’t stop there. While continuing to produce, he became a player on the Elektra Records team, signing artists like Brand Nubians, Leaders of the New School (featuring a young Busta Rhymes), Old Dirty Bastard and others. Dante also remixed and produced songs for a plethora of artists like House of Pain, Cypress Hill and Slick Rick to name a few.”